![]() ![]() Consequently, the 610 was the first desk to have effect sends built into each channel.įollowing in Putnam’s footsteps, we set up a Mackie powered speaker and a battery-powered omni condenser that were positioned at opposite ends of the large, tiled bathroom. Putnam of course conceived external reverb as a controlled effect during recording and mixing, and his hit with the Harmonicats' “Peg O’ My Heart” was the first to take advantage of this new technique. Putnam’s very first use of external reverb was turning the studio men’s room into a clandestine echo chamber. Later, we decided that recreating another aspect of the “early Putnam sound” was critical: echo chamber. Our engineering team took advantage of the opportunity as well and spent some time studying and documenting the 610 console. During its stay at Universal Audio, UA's own techs checked and serviced the modules. When it arrived, we unpacked it from its case, brought it into UA’s control room, unfolded the portable desk’s legs, and hooked up the formidable power supply. ArrivalĪ few days before AES, the board was carefully delivered in its custom road case to Universal Audio by Young's highly accomplished and long-time audio engineer John Nowland. Interestingly, while visiting the UA booth at AES, Grammy-award-winning producer and engineer Elliot Mazer recounted his experience using the “Green Board” (as Neil Young and his team affectionately call it) on the Harvest session, which he engineered. He installed the desk in a barn, which he used as a recording studio, and employed it recording such seminal projects as Harvest, and may other classic albums. ![]() Young immediately moved it to The Ranch, his property in Northern California, near Half Moon Bay. In the early '70s, long before this one-of-a-kind desk's historical significance could be anticipated, Neil Young bought the 12-channel board (which had ended up in San Francisco by that time) from Wally Heider. The Heider 610 is one of the rare, early, modular desks, complete with the first use of echo sends and switchable inputs. This console certainly recorded and mixed some of the greatest performances of the era, including many live performances by all the “Rat Pack” members, and even recorded the very last concert under the baton of Igor Stravinsky in Los Angeles. Heider eventually started his own business, called Wally Heider Recording, and had studios in Los Angeles and San Francisco. Hired by Putnam, Wally originally handled many of the live recording dates booked by Putnam. This extremely well-built example was originally fabricated by Frank DeMedio for Wally Heider’s remote recording service in the early '60s. Universal Audio recently had the privilege of borrowing one of the most famous examples of the very rare tube-amplified 610 consoles. Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ DynamicsĪbout Find a Dealer Downloads Blog Support Log In Thunderbolt 2 Option Card Thunderbolt 2 Option Card ![]()
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